This series transforms the photographic apparatus from a passive observer into an active, mechanical state-scanner. Living within a system where systemic erasure and marginalization are functional norms, I position myself not as an external critic, but as a complicit operator of this machinery. Working with strict clinical detachment, I use the camera to investigate the structural violence inherent in power dynamics that demand absolute visibility.

Within these frames, light does not illuminate; it operates as an aggressive agent of erasure, systematically stripping subjects of their identifying markers. The resulting spectral forms represent the material residue of systemic borders. They are concrete visual evidence of a societal drive toward an 'absolute zero,' demonstrating how forced exposure mechanically processes individuals into disappearance.